Fuck Poetry

Contributor: Misti Rainwater-Lites

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They met at a poetry reading. Billy was the star poet. He sold six copies of his latest poetry collection, Use A Dick. Lori was a fan. Billy’s biggest fan ever, she claimed.

“Would you sign my book, please?” Lori asked Billy with a shy smile. Billy couldn’t take his eyes off Lori’s considerable cleavage.
“Certainly. What’s your name, babe?” Billy asked.
“Lori,” Lori said with a giggle.
Billy signed the book and handed it to Lori with a wink. Lori read the inscription. _Lori, I’d love to use my dick on you. Love & Stuff, Billy._ Lori blushed and giggled. She grabbed Billy’s black pen and scrawled her phone number on his left forearm.
“I’ll never wash my arm again,” Billy said.

The wino motel room lacked ambiance but Billy and Lori weren’t there for candles and roses. They weren't there for Rod Stewart and his ridiculous raspy lies. They weren't there for crown molding and champagne eclipse drapes. They weren't there for Monet prints and exquisite fern colored carpet.

Lori moaned as Billy spilled cheap merlot on her gargantuan breasts and licked it off. Billy sucked on Lori’s erect nipples. Lori grabbed Billy’s hair and begged for his dick.
“You want my dick, baby?” Billy murmured in Lori’s ear.
“Fuck yes I want it!”
“Where do you want it, sweetness?”
“I want it deep inside my pussy. My pussy is starving for your sweet dick.”

At least a dozen new poems, long ones, formed and pulsated in Billy’s brain as he used his dick on Lori, as he surrendered his dick to Lori’s throbbing pussy. Someday maybe he’d write the fuckers down.


- - -
I like to drink beer and play with my vibrator.
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Karma

This summary is not available. Please click here to view the post.
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A Forest

Contributor: Ted Minnow

- -
There were two humans walking in the forest. They had penises. They were walking towards a house.

Sam: “Are we there yet?”

Lauren: “Yes.”

And they were. There was a house, right there in the forest. It had all the normal things houses did, except for a door or windows. It was made of concrete. Out of the house stepped a person. Sam and Lauren had come to see this person.

“Hello, people,” said the person.

“Hello, friend,” Sam and Lauren said at the same time.

“Yes, come in.” The person thought Sam and Lauren were pretentious to use that word, friend. They were not friends. None of them were friends. None of them had friends.

But Sam and Lauren did. They thought they had many friends. There was the person who gave them entrance to the forest. There was that tree who was alive. There was this person now, who had come out of the concrete house. And there was the one inside they had come to see. That was a friend, in there, they thought.

Inside the house they saw the person they had come to see. The person showed them to the person they had come to see. Sam and Lauren sat in front of the person and bowed, to show their difference.

“Did you enjoy the forest?” the person asked.

“It’s a nice forest.”

“It is. And it would be better with animals. But that is why we are here.”

“What do we call you?”

“I am the Master with an upper case M,” said the Master.

“Good,” said Lauren.

“Good,” said Sam.

“Have a drink,” said the Master. The Master thought Sam was odd and Lauren was a foil.

“Thank you,” they said. They had the drink.

“Now,” said the Master. “Do you have your penises?”

“Yes,” they said. They handed the Master their penises.

The Master took their penises and held them up to the light, then used a machine to measure their length, their thickness. The Master waved the penises around, hit them against the walls, smacked the penises with an open hand, then a closed hand. While doing this the Master thought about a forest, somewhere else, with ideal things, especially animals.

“Good,” the Master said. “Where did you get these penises?”

“We got them from the tree who was alive,” Sam said. Lauren nodded.

“Wait!” said the Master, throwing the penises on the floor, into the corner. “What did this tree look like?”

Sam and Lauren looked at each other. Then they said, “We can’t remember.”

“Remember! Remember! What did the tree look like? Describe the tree to me!” The Master came to them and shook them, angry and violent.

“We cannot remember. We did not see.”

The Master growled from the chest. “I cannot accept your penises. Leave this house. Leave this forest. Go find another forest to ruin with your tree penises!” The Master pointed out the door. Sam and Lauren left the house.

They walked back through the forest the way they had come. They got to the tree who lived and looked at it for the first time. Then they looked around at the forest, at all the things there, at all the things missing. They looked at each other.

“You have a freckle on your nose,” he said.

“You have brown hair,” she said.


- - -
Theodore Kanbe is a student at the University of Wyoming. A native of Wyoming, he strives to write out his mind.
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Any Summer Day

Contributor: Stacy Maddox

- -
I savor the way your thick seed
Runs quickly down my quivering thighs
As I stand to put on slowly, unhurried
My bikini bottom and suntan lotion

I take my own time with looks
Under hooded, satisfied green eyes
I haven't a care in the world
As you watch me flip streaked hair

You wander off to the kitchen
As I gather the towels and radio
Winding the dial up to the station
To music I'm in the mood for today

I close the sliding glass door
And make a path straight to you
Pinning you against the sink
Suggesting I want your sex again

Rubbing my hands, seeking you out
Sliding my sensitive, white breasts
Over the silver hoop that hangs
Through your small left nipple

Nibbling your ear, I feel you suck
Your breath in swiftly, almost startled
You're hard again, to my delight
I smile a secret smile to myself

Whispering words of lovers
I ask do you know
How good it really feels
To have your cum in my panties

Looking like a Cheshire Cat
I walk slowly back to the deck
Knowing that you will follow me out
And take me to this place again.


- - -
Stacy Maddox lives, dreams and writes in the fast-paced city of Lawrence, KS. Stacy has been published in Shades Of Expression by Gerl Publishing, The Medulla Project, Daily Love, Emerge Literary Journal, Three Line Poetry and Mused: The BellaOnline Literary Review. She has been passionate about poetry, photography, music, quotes and stories for over 30 years.
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Ratkiller

Contributor: Andrew Ross

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Love is like Ratkiller. I came up with this idea a few months ago. I found rat droppings in my house and I could hear this rat running around in the walls and across the floor and shit when I was sleeping. So I bought some of those rat cages, those supposedly animal-friendly fuckers that poison the rat to death. I placed those cages all over the motherfucking house. I spent three days finding cupboards, closets, whole fucking crawl spaces I’d never even seen before—shit not even on the fucking blueprints—just so I’d be sure if this motherfucking rat was going to run around my house, then this motherfucking rat was going to run into a cage. You know what I’m saying? So I placed the cages carefully—commando style—and waited. I heard noises in the walls. The next day nothing. And I’m like, that’s right bitch. Don’t even try to fuck with me.
Except then, the third day, I hear running in the walls. This motherfucking rat wouldn’t die. This motherfucking rat was the baddest motherfucking rat of all bad motherfucking rats. He knew it, I knew it. So, I got my keys, started the car and started driving around the streets till I find a stray cat. I plop that raggedy ball of raggedy fur on the front seat and I grab it by the throat. I drive home with one hand on the wheel holding this scraggly furball with the other.
And I tell it, Listen I have this big bad motherfucking rat in my house. And I want you to kill it and eat it. Then I say, I don’t want to be friends. I’m using you for what I want and you’re getting what you need. But this rat is all you get. I don’t feed you, I don’t keep you. Just so we’re crystal clear on the nature of our relationship, I’m going to call you Ratkiller. Because that’s all you are to me.
And then I stopped at my house, threw Ratkiller inside and locked the door. Two days later I came home, opened the door, grabbed Ratkiller by the throat, threw her out, shut the door. Never seen rat or Ratkiller since.
Everyone knows his or her role in advance. No expectations. No one gets hurt.


- - -
I am a graduate of the Fiction Writing graduate program at Johns Hopkins. I've published stories in Penn-Union and The Medulla Review, where my story "A Breaking Up" was anthologized. My original play "The Rebel" was produced and performed at the Avalon Theater in Easton, MD.
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Just to Be Sure

Contributor: Kymera Dix

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I’m eating, again.

I’m always eating.

It hurts not to.

Not like the hurt when I hit my baby toe, or somethin.

Oh, I admit that that =really= hurts...a lot.

This is more like a bad tooth ache or strep throat.

All over.

It don’t gradually go away on its own.

It stays and stays and keeps getting worser and worser.

Until I gotta take =sometin= to ease da hurtin.

My sumtin is food.

Soze I eat an eat an eat.

Stopped by da Chineze place onna way home tday.

Gotta shrimp eggroll.

Came home, picked out all doze teeny, tiny shrim.

Flustem.

Watched dey lil naked krussashun korpses swirl way into toilet blivian.

Awmoze fell comin owta da batroom.

geddin seepy nah

all dem pills

bedda take some mo

justa be sho

chasem wi beah

awmoz geddin too seepy t eat

dasa laff

bess eda ro nah

chazit

gutza churnin awweady

shrim jooz

gon lay don nah

faysh don

shud puke inna cupla owaz

b seep

wone no

schtopt nshuwanz las wee

justa b sho

heh


- - -
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Patricide: A Romance

Contributor: Chris Vola

- -

1.

One evening Uncle shat into your sister and reached for a towel.

“Snap Crackle and Pop,” he said, and you shoved his snakeskin then, for you and your sister, into the corner table next to him until its head split and he made you lick the ketchup off and your dad charged in and you were bellowing through the house with your tee shirts pulled up, fleeing to your room and hidden under your blanket, exposed. You thought they would smack your bellies then.

Instead, things were quiet for hours. You fell asleep being aliens. Afternoons spent you up.

Your asleep sister was fine, then screaming at the wall, “We’re not afraid of you,” regenerated, grown into two new heads, mothlike as she jumped, punctuating the word kitchen and wanting to know if you wanted some and laughing like crazy. At some point your sister’s throat slit was swallowing mint chips, silently muttering.

The weirdness of being a twentysomething. The things that make Rice Krispies (the snapcracklepop), the things that make your snake. You hadn’t considered the sharp things you did. You smeared ketchup on slices cracked open, your sister’s slices.

Your sister started wailing and left the bread on both your plates. You ran around demanding to know what had happened. You, your heads, arms still in the sleeves, stomachs expecting horrible punishment at any moment.

Oyoyoy! you thought.

Eventually your dad woke and came in. His head had split in two. “Uncle the Grouch!” you shouted that over and over.

Uncle came in, having some ice cream in his “grouch” and landing on your back slits instead of the front ones. You tottered from the kitchen as one expressing displeasure at a given situation.

Your dad licked his lips. “Snap Crackle and Pop,” the old mouth.

One remembers the origin of this phrase.


2.

At the side of the water mattress, your dad had the morning, yelling the orders back to your sister, watching the TV, whatever was on anymore. He only poured coffee to read the paper.

The court roundup was messy, lots of ketchup, and he gave you and your sister wet naps. He didn’t read the deaths. He didn’t have to.

“Right your snakes!” your sister belched to everyone in particular, drooling ketchup.

That night, your bodies wriggled like slugs drowning in salt rain.


3.

Your dad took you into the city. He liked to scratch his ticket around.

While you waited in the gas station parking lot he bought sandwiches and a lotto – it was a Powerball day. The ride had been short, but your sister was scared of the radio and the fall asleep:

“Everything is good! Everything is really good,” squawked the same radio people who make America the country.

What you thought they were saying was like before you were a twentysomething when your dad had had to come in to buy the Ceremonial Super-Lotto in Bushwick and there’d been no more but you said how you liked to eat oranges, so your dad had bought several.

The fleshy bone is gross, you thought. Tradition traduces no oranges.

“Home Depot?” the gas station man asked when he came to the car back with your dad.

Can you imagine how happy your dad was! This used to be what the men he used to bring to the car called Home Depot, but that had been before Uncle, before whatever else your dad had told you was in the papers. Before your dad had to drive his post-suburban vehicle forty-five minutes to welcome “women-boys and gays” and everybody else in the metropole who knew how to get to your Home Depot. It had been a requirement.

“Once you were airstrikes in São Paulo,” the gas station man muttered as he unbuckled your buckles and licked at his mustache. “Once you were telemarketers in Sri Lanka. Once you were e-readers in bull rings.”

Your sister rubbed the gas station man’s belly and before biting his open snakeskin winked at you and whispered, “We have been enough.”


4.

The highway was closed. FASCIST-DOGMA-NECTAR-OVERFLOW streamed across the ketchupy sky.

“We only cradle what we distill,” you dad muttered to the absence of space or maybe the rear-view.

“I dream of ATMs burning,” your soggy sister moaned into your ear.


5.

Back in the kitchen your dad made you old catfish from the grill. Before that, you ate on ping pong balls.

“Stop it,” your sister said. “Fuck, fuck, fuck,” or “You’re off.”

You never actually did it, you never screamed in the kitchen.

At a quarter to seven, the tsunami your dad had told you about brought Uncle in the door and let him use the bathroom. He was teary eyed, Uncle. Your sister made him wipe his finger sometimes, then, too.

You had a memory of Uncle’s cracking on your face. When you cocked your head back because you could just feel it melting. Uncle made you do things you didn’t want to, he had really cracked the Home Depot Code.

Did you know what was even weirder tonight? His new boxer shorts, and then you were both wet-legged?

Always a soggy way for Uncle.


6.

Excitation is an elevation of energy level above an arbitrary baseline energy state. Your sister’s brain did not know that the lifetime of a system in an excited state is usually short.

Your dad dropped your sister in mid-air. She fell into Uncle’s “grouch,” both pockets filled with pajamas. You wanted to run upstairs to hide in your room.

“Don’t you dare,” your dad belched, and “God, don’t twist my words around,” spitting at Uncle’s tsunami-slick mouth. You tip-toed over to the freezer. You had to do it.

“I broke my neck! I broke my neck!”

Your sister’s pieces rolling in the spilled ketchup, at least forty pints.


7.

The next afternoon, Doctor came into the room for a chat. She liked to scratch her ticket around.

She couldn’t understand the ketchupy kitchen – “And on a Powerball day,” she clucked, her brown hair flopping in catfish oil from the grill while the TV laughed into a speech.

Your sister sucked on ping pong balls. Her machine sucked.

And for no good reason.

You removed the lid from the cookie tray. Mint-chip cookies Doctor had made. Doctor stood there in the dark for a minute. You liked her helium voice, you liked her white bread. You liked her jotting fingers. Your sister’s swollen stitches were an alien way. Doctor made you both take a picture of it.

Your sister sucked.

Doctor made a cluck, and your dad woke and came in the kitchen.

This is what Doctor did: she stabbed your dad with frowns and mega-clucks like her brow was bigger than Brooklyn.

But your dad was smart. Your dad was crafty. He was Crafty the Grouch. He knew what to do. He looked alien sad, and then found his escape in Doctor’s white shoe, started doling out nicknames to what happened when your sister’s head tsunamied the ketchup, when the karmic assload flooded out of the kitchen:

“Uncle would have stopped, but he wasn’t in the breakdown lane,” and, “It’s bad glands.”

Doctor was so fat she couldn’t hold her pen any longer. Her fingers stopped jotting.

“To ruminate is not to be right,” she told your dad.

“Snapcracklepop,” he grinned.

As Doctor spooned you mint chips, a shimmer of dead skin sailed furiously across her heel. She sighed, knowing that she could, that summer evening, lay thick and still upon her Brooklyn bed.

“Your family has good teeth,” she explained, an abstract theme that meant everything was Powerball good: you and your sister would have catfish from the grill and Uncle would remember and behave within the Code.

She made your dad wipe his finger before she heaved into her idling Hummer and shot off to Wal-Mart for the sale on Succulent Melanomas.

Your dad’s dark lips curved like pomegranates.


8.

The earthquake brought Uncle in the door at a quarter to seven.

Uncle?

Oyoyoyoyoyoy! you thought.

He spread his worksheets out across the kitchen, and some soggy yogurt for you and your sister. Your dad made him wipe his finger, smiled, smiled, then frowned when he remembered Doctor and the Code.

Do you know what your dad did? He pulled over Uncle, communicated to him in furrows and whisperings, just like the Universe was his brow.

“Slit it back up inside,” and, “It’s better on your face than your hands.”

He paused, then, “Sike!”

Uncle had good teeth. He let you and your sister see their size.

You had to swallow mint chips not to scream, you had to find a semi-quiet area, or, in a sense, a non-word.

Where is it? Or, What? Or, Oh!

Your sister sucked on ping pong balls. Her machine sucked.


9.

The things you did when no one was looking.

Here is what happened: Your sister’s scrunched toes against Uncle’s chilly grinning face, the wet under his plaid trousers just starting to quicken. Your dad was in the corner, answering four a.m. phone calls –

“It was about the lake,” and, “He brought her to the Far Side,” and, “Deep in winter and nobody was around.”

Your sister screamed and you knew you had to do it.

You tip-toed past your dad, the fridge was open, and you shoved Uncle’s snake, more than snakeskin because the corner table crushed his thin tin dome near the base of his ketchupy brain. His big nose? There would be no more soggy way.

Your sister’s smug smile of satisfaction, the first in the history of the kitchen.

Uncle’s face was stuck in a perpetual crackle, the feeling of having the shit thrown
out of his molecules. But you hadn’t dared to smile because your dad was smart. Your dad was fast. Your dad flew from the corner faster than your sister could say “Cheap-ass-dirtbag!” and snapcracklepop, and he was squatting on top of your chest, screaming into your face, way, way, way crazier than ever.

“The Code!” he screamed, “THE CODE!”

He wasn’t going to stop, he was way past the breakdown lane. But he didn’t know that after you shoved Uncle sense, your sister had obtained non-screaming-mantra-status, this new kind of steel-hard self-identity. You saw your sister the alien lift the Magic Marker over your dad’s white bread.

You saw your sister the alien slice through your dad’s ugly ceiling.

You saw your dad’s rubbery eyes plop onto your face like a piece of catfish smacking against the kitchen floor. It was ketchup-overload.

That was why you started laughing, why you couldn’t stop even when your sister the alien made you wipe your finger, when she made you swallow mint chips.

“Snap, crackle, and…POP!” you laughed again and again.


10.

Doctor made you take a picture of it. Then she made you look again.

“I feel really sorry for you,” one of her favorite accusations, and “Time, after all, can only perform so many operations at once.” She reminded you of a pay phone booth
that was missing its pay phone.

Her fingers didn’t have to jot down anything anymore. Your sister looked past the kitchen, the door with its bell, the shards of sirens in the front yard, the highway, the slit of ketchup-light in the trees.

Nobody was around. You didn’t know where they were at.

Remembering her idling off-road artillery vehicle and the heavy afternoon traffic, Doctor stood up. Teary-eyed, she left yogurt and catfish, trying to remember her place within the Code.

No, she couldn’t bring you home, “but you were relatively young and could be anything” – writers of love poetry, Turks with smartphones, banana-yellow Blue-Staters.

“Leave our soggy pocket to make its own time,” your sister snarled, “we have been enough.”

Doctor nodded, then vanished in a cloud of formaldehyde and diesel-fuel. It was now your job to realize that you and your sister were really alone.

That evening, you both fell asleep being aliens.


11.

Two molecules must influence each other in such a way that they function as a more or less stable whole.

Your organism must water and flower. Your sister’s organism must metabolize. Your organisms drank twenty-five Mexican Screwdrivers and stabbed with cracked retinas.

Crumbling train to Brooklyn, your self-righteous pilgrim.

Mutual symbiosis and a torn black pigment. A bleached asshole. Your sister labeled this variation morphogenesis, she labeled your smoked-out apartment a chemical factor, she labeled her hips a sudden white streak. You discarded the ability of your systems to maintain a stable condition by means of multiple dynamic equilibrium adjustments controlled by interrelated regulation mechanisms.

Your sister imagined how filthy the gas station man’s sandals must have been.

A sound: your sister’s ketchup nails carving the backbone of six blind stanzas separated by a sparrow at the window grate. His white bread, your snake, the real contraction of all that passed by.

“Omne vivum ex ovo,” your sister moaned, until your ears spilled the taste of your dad’s deep-fried mistake.


- - -
Chris Vola is the author of a novel, Monkeytown, forthcoming from S A M Publishing. He lives in New York.
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Lady Pains

Contributor: Kyle Yadlosky

- -
“Just let me out, baby,” my girlfriend, Trisha’s voice drifts from the bathroom. “I think I’m late.”
My back is pressed against the door so she can’t escape, legs squared. “No, no,” I say. “Let’s not call it, yet. It just hit midnight.”
“Come on. Let me out. You know nothing bad’s gonna happen.”
“That’s the demon talking.”
Through the door, I hear her sit on the toilet. She sighs into her hands.
“You might wanna take off your panties,” I suggest.
She huffs at that. Then, her breathing shakes, breaking into sobs. She hicks and gasps, and I don’t know what to say, so I don’t say anything. Shattered breaths piece together out of her mouth. She sobs and wails in low tones. Then, the crying turns to panting, then laughing. Then, she cackles. The cackling rises, cut by quick inhales. She screeches toward the door, loud and constant. The sink, tub, and toilet start to vibrate. The pipes rattle.
I step back.
Then, with a thump, everything stops still, quiet.
It’s day one.
Some women have heavy flows, others low. Men, we don’t try to understand. We just endure. And the women suffer. Lady pains—their bleeding, changing personalities—it’s demonic possession. Every woman has a little demon burrowed inside her vagina.
On day one, the blood pours. I press a towel under the bathroom door. Deep, straining moans rumble from Trisha’s throat. The toilet vibrates lightly. Blood drips steadily. It flows onto the floor, where it splashes and pools. I pray it doesn’t leak into our downstairs neighbor’s apartment. I pray the floor doesn’t cave in. The blood drains from her until she turns blue.
I can hear a tide forming. Blood splashes on top of itself with nowhere to go. Trisha groans once, desperate and low, and she kicks. Her foot splashes the blood, which streams and slams into the door. It soaks straight through the towel with enough force to push it out. Blood seeps into the walkway, and my hands stain red from touching it.
I grab a mop and bucket and begin to work. I sop up all the blood I can as my girl moans and groans, bleeding a river, from behind the door. I fill my mop, and I twist the red fluid into the bucket. I fill the bucket, and I get another. By the time she’s done, I’ve filled four. It’s about eight pm. I haven’t slept since midnight.
I lift the four buckets, two in each hand, and shove aside the bathroom door. The stench strikes me first—gagging, so thick you can taste copper. The floor is soaked in a straight red streak. I dump the buckets in the bathtub and mop the bathroom floor. I use straight long swipes, using cleaner, making sure not to leave a drop behind. I use a towel and surface cleaner to wipe up the thick candy-cane stripe running down the toilet. I lift Trisha’s legs. She twitches and grunts against me. I wipe the toilet seat. I flush the toilet, clean out anything sticking to the bowl. Trisha didn’t remove her panties. I peel them off, toss them in the bathtub, and clean her up. Then, I wash my hands and toss the towel I use to dry them in the tub, along with the towel from under the door. I turn the lock on the inside of the bathroom door and step out, shutting it behind me.
Then, I wait.
On day two, it forms. You can hear it crooning in the bathtub, sloshing in itself, feeding off itself. Soon the tub will be clean, drained of every speck of blood. I hear it peeling its congealed body from the porcelain. It opens its mouth and roars. It’s a demon born of Trisha’s blood. Its voice is a synthesized croon. “What am I doing in here?” it shouts. “Why did you put me in here? Am I too ugly? Do you not want to see me? Why don’t you want to see me!”
It screeches and throws itself against the door. The hinges rattle, knob shakes. I start to dawn my equipment.
The first time I battled her demon, I was unprepared. I didn’t mop, and when it formed the blood swirled into a torrent and destroyed my cupboards, stained my counter, even shattered upward through the coffee table to form its demon in the center of my living room. One errant drop can become a bullet.
I’ve moved from that apartment since.
On the start of day three I’m exhausted, heavy pads of hockey gear weighing me down, helmet on tight, axe at the ready. The bathroom door is cracking, the white paint peeling. The demon’s voice pierces through. “Why don’t you love me? Let me out! Don’t you care? I’m in so much pain!”
I sit on the couch, axe across my legs, and my head slumps, eyes close. I can get an hour of shut-eye before the door shatters.
Day four comes in a warm shower of vaginal blood. I sweep my axe through the demon’s body, and it sprays the hot fluid. It stumbles backward, cackling. “Is that it? You never penetrate me deep enough! I guess swinging by yourself all your life hasn’t helped!” It cackles again, loud enough that the downstairs neighbor pounds on his roof.
“Shut the hell up!” he yells.
I swing again, straight for the demon’s mouth.
Trisha’s lady pains started when she was just a girl. She went into the house on every block that no one is supposed to go into—that haunted house. All the kids said a witch lived there. They were right. Trisha broke in one night on a dare. She tried to hide, but the witch found her. She was ten, just starting to spot. The witch smelled it on Trisha, and she cursed the little girl. She cursed that Trisha’s inner demon would claw its way out of her body every month, and that it would never stop, and she would have no control over what it did.
Her family threw her in a deep hole dug in the backyard every month until the demon passed. She’d run away by fourteen.
She’s tried taking pills and using the ring and everything to stop her periods, but nothing works. It only intensifies the demon’s rage. She said she was almost bled to death when she started taking the pills. When she had the ring, the demon tore it out of her body. Doctors around the world have study her and her symptoms. There’s no answer, no cure—
Just like all lady pains.
Day five hurts. The demon has my helmet off, claws scraping under my hair. It screeches, “I wanted to see my mother! Why did you keep me here! Why do you force me to stay here with you!” Her mother’s birthday was last week. I had work; I couldn’t make it. She didn’t want to drive down alone. I told her she could go. The demon never remembers things as they happen.
I yell in pain as it draws blood from my scalp. I pry the demon away with the handle axe’s handle. The blade has since torn off, trapped inside the demon. The demon’s reeling and screaming. “Why did you kill my cat!”
Her cat broke its neck jumping from a tree. I was with her when the veterinarian put it down.
“You never tell me how you feel! I tell you everything, but you never say a word!”
I know it’s best not to talk to the demon. If it can’t think of a new attack, it starts to get dizzy, mutter. I might be able to knock it off balance, stab it to death with a kitchen knife, end this early.
“You think I’m fat and ugly, and you can’t stand me! Look at me! Look at me! You can’t stand me!” I lock eyes with the black orbs on its crimson face. Its forehead is an alien’s. Its mouth is a black hole. Its body is sticking strands of putrid blood. It has no fingers or toes. It’s amorphous, shifting slightly with every second. Where it walks it bleeds, and its words are poison. “Don’t you think I’m beautiful?”
No. But I don’t say that.
“Don’t you think I—I...” it stops and stares at the wall. “Don’t you think...” This is it, my moment. I slip a kitchen knife slowly from our cutting block without attracting attention, and, when I have it in my hand, I lunge.
The demon doesn’t screech. It doesn’t protest. It just dies without knowing what happened.
It’s day six. I’ve slept three hours all week. Now, I’m dragging this mess of dry blood back into the bathroom. Trisha’s blue fingers hang limp at her sides, head down. Her mouth is open. I drop the demon on the ground in front of her. I spread Trisha’s legs. Then, I press the demon head-first against the lips of her vagina. I force the head against her hole, and it stretches.
Trisha gasps, tensing and clawing against the bottom of the toilet bowl. I force the demon in down to its neck. Trisha’s skin starts to color off-white. Then, I steady my feet on the floor and push with my legs to shove the shoulders through her hole. At that she screams, and her body bucks backward. She’s twitching and moaning. Her skin’s going to pink. I take a breath and prepare myself for another push.
The worst is over.
When she told me about her lady pains we were eating. We had been dating for almost a year, and once every month she’d go on a trip to a cabin that she bought, no more than a rundown shack. She’d pass out and let her demon go mad where no one could hear it, out there. Then, when it’d finally pass out, she’d have to force herself from her stupor, weak and drained, and drag her body across splintered wood to shove the demon back in, herself.
No matter how many times she told me she was serious, I thought she was joking. I went with it, though, and now I stay with it. I don’t know what else to say, other than that I really like this girl.
On the seventh day, my girl is back to me. She’s holding me, crying, shaking. She smells awful, like stale blood. She’ll wash as soon as her legs get the strength. That’s when I’ll sleep.
“I’m sorry,” she weeps into my shoulder. “I’m so, so sorry.”
“It’s okay,” I say into her ear. “It’s all right. It’s all right. It’s not your fault.”
It’s just lady pains.


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Enigma Variations

Contributor: George Sparling

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I’m Ted Black and that voice, a surveillance technique, as if thrown by a ventriloquist’s between my apartment’s walls, down my toilet, into my food, shoes, sheets, between my toes, between my teeth while I floss, beneath my feet as I walk, under my flesh, down my throat, into my spleen and prefrontal cortex; as yet I can’t shake it loose, that metallic, asexual digitalized voice as I saunter crosswalks, and traffic, it reverberates off bumpers, infinitely repeating that three-word phrase, “Ted Black’s Shit”; this isn’t a common auditory hallucination, today I get off my butt and refuse to rot anymore, listening to the voice’s taunt. I’ll hunt it down and send it to hell so it’ll never say, “Ted Black’s Shit” except to the devil below.

It’s real, I should know: I read Wired magazine, DARPA ( Defense Advances Research Projects Agency ) is always onto inconceivable yet, very often, pragmatic mind-destroying torture.

I want my life back. I’m familiar with search and destroy missions but this human concocted sound effect engendered by a puke needs to be wiped off the town’s census records, you know, killed; it’s on the map, this town, its citizens hysterical and loathsome; I’ll get you yet, I have the means, a black and sharp machete in my backpack, they’ll be one less terrorist, though all the town’s citizens bear the crime that undermines my confidence and shatters my personhood, one massacred town folk is as good as another to stop that automatic noise machine.

I walk through residential neighborhoods; I hear you get louder each block I stride, I close in on you, the machete’s eager for severed flesh and bone; I salivate, no longer the feeble victim; your three words, “Ted Black’s Shit” repeated countless times, every time I awake, every time I piss, every time I eat, every time I brush my teeth, every time I read email, every time I wipe my ass, every time I sit and watch trees blow in the wind, every time I dress, every time I read, every time I stream movies, times when I have sex with myself, but I can’t cum, the surveiller going, “Ted Black’s Shit” and impedes my ejaculation; it will soon end, this town’s folks all complicit.

The streets deserted, I speed-walk, your inhuman voice ferocious, disastrous, and sinister, I hear your vilification, you want me disgraced, but I yield to no one; I hear it from an open garage, one old man, maybe eighty-five, putters with a lawn mower---it could have been the mayor, fire chief, a psychiatrist, the town’s most lovable homeless person, but I choose granddad.

I pull out Blackie, walk up to him from behind, then swing with all my strength the machete down upon his pink, bald head, and cleave his skull, more overhead chops, the head split like the cantaloupe I ate for breakfast, then I swing my blade across his neck, what joy, what relief, what happiness; still not satisfied, I hack his arms off, first at the elbow, then shoulders, then legs, sprouting red borscht after a while; it takes a long and muscular time, then off go his testicles, his penis, I grope his innards, cutting out organs, blood spreads across the cement floor like the river of creation, I a reality-bringer to shittown.

If that computerized voice comes back with it’s singular hatred toward me, I and Blackie will return---I’ll lop off more heads.

The next day, when I wake up, a man stands near my bed. He is well over six feet tall, wears a dirty white trench coat, cloudy goggles conceal his eyes, though thin trickles of blood from both eyes make me think of yesterday. His bluish hair stands upright as if he’d seen the edge of the universe and it brought him greater fear known to Homo sapiens since we first walked the earth. His hand touches my face, long fingernails lightly scrape my lips, and squeezes them as if he has the strength of a machine vise on a rotary table. I didn’t bleed. He opens his trench coat, spreading it wide like vulture wings; all sorts of gadgets in pockets, some known to me, others strange as if he had them custom made.

He takes the coat off and it thuds on the floor. I’m the guy with the voice, you know how it goes, ‘Ted Black’s Shit’. Why are you here and what do you want with me?

These tools, instruments of the black arts, I don’t use anymore. Outdated and only blockheads use.

So? Are you calling me a blockhead?

Machetes are for older generations. How old are you?

Over Ninety-six.

He takes off his goggles, and looks at me. Hard. Penetrating. God eyes.

Cagey, aren’t we. Your enigma, you want to pretend that you’re the wisest man the earth as ever known.

When you’ve done nothing in life to amount to anything, when you’ve sat for days at a stretch staring into empty space, when you’ve never hungered for anything, this is how you look.

Why butcher that old man?

I need one true thing done in my life before I go. I did hear you spew that automated hate machine, and I did need a sacrificial dead human being to live just one more day.

So, you think I’ve come to end your life in spite of your claim you’ve only one day left. Right?

Do what you must.

I’m not dreaming. My consciousness hasn’t been more acute, its antennae reaches out as the sun brightens the room. I feel like Apollo, god of light and sun, god of healing and truth. The man knows I’m invincible, and as he leaves, he hears me say:

You’re just shit to me.


- - -
I live in Northern California.
I've stopped making much sense long ago. But I do like Tom Waits, Bartok quartets, Don Winslow, Jonathan Letham, Joyce Carol Oates and Christina Stead.
In my spare time I have more spare time.
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Pulling the Wire

Contributor: George Sparling

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I used to get persistent thoughts of going to prison without Deadazine, the guards not handing out my usual nighttime dose. Denial of D, especially by strangers wearing uniforms and packing Tasers, wasn’t like withdrawing from it gradually under a psychiatrist’s script-wring hands.

“Getting a dozen 50,000 volts, wires sticking into my heart, I hovered over my corpse witnessing a wasted life. My only success: death,” I said, wearing boxer shorts and a sleeveless undershirt, looking at the kitchen floor.

“Steve, you’ll never go to prison. Take the med,” Nan said, handing me the huge tablet which I downed with Ginseng tea, a culture clash I never resolved. Nan used to snort Kleenex-soaked crank. Now she never had to blow her nose, just let the booger-clogged nostrils absorb her snot.

“It’s leaking out your nose, Nan, “ I said. D hit my synapses, and I felt great love for her.

“It was either from the bloody nose when I slammed into corner of the car door or that love tap you gave me last night, thinking I was Girls Wanna Get Knocked Around But They’d Rather Be Shopping For Dildos With Jagged Sharp Points To Inflict Bodily Harm On Their Drugged Boyfriends,” Nan said, pulling a foot-long horror-film alien tentacle out her nose, rolling it up and dropping it out the window onto magnolias.

I liked movies of garroted bodies floating in ooze, perverted ex-apparatchiks spunking their dicks in cold fondue. The movie of a dominatrix telling off a would-be assassin by talk-slurping his erection pleased me. Ms. Dominatrix raised her skirt and twisted a full-fashioned, seamed stocking, wrapping it around his nut bag. And when she told him that she’d panty-hosed-strangled a lecher much worse than him, a guy who used to eat half-cooked penises off of dead positive-thinking delusionists. Big D worked much faster.

“I tell you, Nan, it’s worse than mind-reading with Braille.”

“Like what? You’ve done worse stuff,” she said.

“Give me one example,” I said,

“Like going boldly, raping Dobermans or selling pirated Froot-Loops laced with LSD-drenched cranberry juice for $3,000 to seniors, thinking the cereal cured their Alzheimer’s disease,” she said.

“You always make me sound guilty. It’s another way to say I’m sorry, I guess,” I said.

“Still afraid of prison, I presume,” she said, her filmic Ann Savage resemblance reminding me of Savage’s telephone-corded death, strangled accidentally by a man who never got arrested for it in “Detour.” ( so I thought )

Nan must’ve given me extra-strength Deadazine because now I’m in a room where men and women, wearing bowties and stiff white shirts, asked questions that I will never answer because Deadazine made answer only in semaphore, an ancient practice only Boy Scouts know.

“It’s impossible to fake it, Steve. Lying doesn’t work these days.” It was Nan, every pore of her face an extinct volcano. “Even dogs are on to you.”

“How?”

She left the room. They took me to a dungeon where famous Ms. Dominatrix stripped me and bound me with ropes. Her day job, a judge on the court of appeals in District 107 whose jurisdiction covered whatever wasn’t reported in media, like viral videos sent from millions of people living next to cemetery headstones. It pleased men that whatever she’d do to me was legal. Of course, that meant I had to relocate to a cemetery in Greece.

Orders were orders. She wanted to find out the source of Deadazine. I told her a woman named Nan.

The judge wrapped my neck with fake, Styrofoam barbed wire, the kind bought at Wal-Mart for $1.99. Then, she released it, fake blood streaming down my throat. My Adam’s apple felt as if it should eaten, an apple a day kept women gnawing my throat.

“I’d love to see you bleed and die,” Nan said.

“You’ll end up in detention if you sit there and watch Steve’s theatrical blood stream out and die,” Ms. Dominatrix said. “Guantanamo needs more femmes.”

I wilted, plopped backwards, the watered-down catsup nearly drowning me.

The judge undid the dominatrix paraphernalia, then, naked except for a metal-spiked glove, knocked the shit out of Nan. When she came to, groped the furniture to get off the floor, she tried to swallow, but couldn’t, barbed wire clung so tight she stopped breathing.

A foot-long lease dangled from the wire.

The judge, now in a black robe and topped off in a white wig, gave the verdict: Nan’s term to be served under the influence of Deadazine in a condo in my building.

My turn to pull the wire.


- - -
I live in Northern California.
I've stopped making much sense long ago. But I do like Tom Waits, Bartok quartets, Don Winslow, Jonathan Letham, Joyce Carol Oates and Christina Stead.
In my spare time I have more spare time.
Read more »
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