Hawkmoths zap bats with sonic blasts from their genitals

Contributor: Em Ramser

- -
She calls herself a gold-star lesbian.

Her lesbian card is filled
with female pussy smiles,
labia pulled back happily.

I asked her over coffee
if she had heard of Hawkmoths (Sphingidae),
Cause I thought she might share her clit
With the Lepidoptera genus

That she casts magical spells
On cocks, zapping them
With talk radio blasts.


- - -
Emily Ramser lives in Winston-Salem, NC, though you're more likely to find her online at chickadeesweetie.wordpress.com or on Twitter @ChickadeePoems.
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The Thirteenth Metal Spike

Contributor: Paul Tristram

- -
If you decide to pass through the first door you will have no other choice but to open every other door which may lay upon the other side. There may not be any more doors upon the other side of the first door, there may be nothing but pleasures and wide open spaces. Of course it may be the exact opposite, there may be millions of doors; you could spend the rest of your life walking through hallways, opening a similar looking door time and time again until you simply explode with frustration or the other possibility is that I could change the subject and tell you about something else, just like this. It was midnight; she awoke as usual, stripped, showered, dressed then leapt out of the living room window, she stole through the shadows, using mostly back lanes and alleyways until she eventually arrived at the park. She stole a glance in each direction as she made her way to the little footbridge which passes over the little stream, upon reaching this she walked to the right hand side of it and grabbed a-hold of the first of the metal spikes which make up the boundary fence.
She counted the metal spikes one by one with her left hand until she came to the thirteenth, she then glanced from side to side again and seeing and sensing that no one was about she reached into the inside pocket of her dark and mysterious coat and pulled forth a metal file.
At this particular moment the cloud which had been hiding the spiteful moon fucked off out of the way, a silver light instantly came down and bounced off the thirteenth metal spike which stood before her.
She had come to the same spike every night for the last three weeks and sharpened it carefully with the file, the tops of all the other spikes were covered in a peeling black paint but hers shone like mercury.
She smiled with delight as the moonlight lovingly caressed its shiny surface, she stepped forward, kissed its cold, smooth almost damp surface, whispered something weird in Latin and then set about filing the top of her beloved spike.
This will be the last night spent on the top, she happily thought to herself, tomorrow I can start on the shaft, then that will leave just the base, ah but don’t worry my dear spike when I have finished filing I will still come every night to polish you.
You see, four years ago her best friend stole her childhood sweetheart from her, they married almost instantly, for they had apparently been having an affair for sometime. This all completely destroyed her and she spent the first two of those years on various forms of medication, with several spells spent in secure units.
Three weeks ago her ex-best friend and childhood boyfriend had been riding their bicycles through the park when suddenly the handle bars of the girls bike became entangled in the metal spikes as they were passing, she was standing up while riding and when she became entangled her throat bounced off the thirteenth metal spike.
The police who attended the scene declared that she was in fact lucky to be alive, that if the metal spike was sharper or she had hit it with greater force she would now in all probability be dead, she managed to get away with only bad bruising to the neck and a sprained ankle.
But she and her husband have both sworn that the incident would not put them off riding bicycles in the park as they simply love it, which is why the spurned lover is there right now as I’m typing this, either sharpening or polishing the thirteenth metal spike in hope that the accident will repeat itself.
Hey, let’s leave the crazy fucking bitch to get on with her work;
we’ve got better things to talk about. (Really?)


- - -
Paul Tristram is a Welsh writer who has poems, short stories, sketches and photography
published in many publications around the world, he yearns to tattoo porcelain bridesmaids
instead of digging empty graves for innocence at midnight, this too may pass, yet.
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Rosette Nomenclature of Sweat Monsters

Contributor: Kevin Maus

- -
--with a textual rendering of A. Alzona's painting, “The Lovers”--


The mouth like a temptation. Her face a secret joy.

Lights flash out and limbs extend, reaching out to enwrap. Form already becoming absurd. Mouths exact their pride and the whole room is turned-onto flesh.

I feast at her chest and heighten from the cool taste calming the sour of my mouth's red arcways.
I position her and praise her flesh, landscape of endless habitations. And try to consider the act of each habitation.
I pray upon her flesh with my fingers, treating the scintillant, can feel climax far off and the relish of worship gaining its room of ordination.

I search my head between her hips, wanting to have her saddle it while I nurse of the water of her stone.

...

A suit of egg, jeweled cosmos of wicking sweat on carnal terrain, the top half of a red wheel revolving through her, she squeezes out a tangle of yellow roots atop me that seem wet with the same red and ink blue beading anointment as she. My eyes thicken beneath closed lids while corroded rivulets form at their sides, like the eyes of a wincing statue. Sopped cloth like something freshly skinned. Her bare breasts and the perfect center of her heart that pours out like a blood red street lamp. I could break the light like a jar, but I do not want to see the black accumulations of its insides in this ovenish intersection of parts. Silvers of spit are trembling connectors between mouths. A peeled face with a broken wing of musculature on its forehead is covered in an electric veil. Flesh spins away from itself in a kaleidoscopic turn. A perfect form in emblem of the separation appears between the juxed figures: a white eagle with its head turned left, in straight lines of kilowatt blue. And the sinews thin—shimmering in sway—thinning to nothing as departure grows, disconnecting from the memory.

A welting white cum extending its mouth for breath, its head heavy, traumaed with factory white, gray-blue cageworks in the longing jaws, eyes immured in heavy pulp and eyelash thin strains. The mind a burnt down candle in the throat of a wine bottle, visions in the drippings: black haired women furiously shaking their heads, stairways falling off from one another. The overcome's hair thickly jism seeped so as to be sunken into the fulsome fruit of the head. A word in the exertion of the splendorous nave of the mouth. Ribbed piping inside being rollicked in a closing-in berth, time-clocks spilling about as the supreme white makes a coldwalled hollow of what was once sacristies of densest red. The spook drenched in strengthening assortments of white, trying to flood the heart's supplicant mouth like overspilled sputum trying to gather back round the lips in a large bubble.
But she holds him in interstice of thought.
Nursing the fold of his mouth, breathing air through its membrane. She rides high, twisting over him, fastening him in the white falls of himself. Her eyes shuttered in ordering him this way. Her eyes seeming to rest on a resolution. Her lips partly turned from the mouth, to permit a word of reverence. And her body is full, a resilient instrument of flesh giving curvature against flexures of white. Calming not to rise, but to fall into her enfolding.

The creature swaddled deeply in nets of self-refuse, wants to be lain asleep, with a hand resting over the amber ornament of his eros heart.

...

And by this, bodies collapse. The window of her room turns from twelve o'clock to six o'clock. I slightly feel the capsule's spin but I am beside her in this turning over of the body.

She opens her eyes to find me; and her mouth becomes a grace of good morning. In moments the skin becomes full of its salt. Mouths spark off in red relief as bodies again begin twining freshly round. And the day dozes, oddly not running on as punctual flesh rests and engages, spurring itself to junction; she folds over me and we boil up in a stew of sheets.

Who sits at the window with this heat? A bird in its mouth a worm of sun.

Each finger's whorl tries to undue stitches of flesh—to pull it loose from the reluctance of the coffer. Weirdness beats upon the windows like a last day. An ill, timeless waking. I ask her if we are late and she knows we have nothing yet. And her resistance arcs atop me and I arc into her resistance. We crawl against each other like children, crawling spaces of pure light, making chase for streets to come as if we had the whole city to find each other out, to rapture the mouth loose from its root amid an intersection.

She thinks of the train in the moment I do—clouds of exhaustion in run-on tunnels. She lifts me like a trap door from the bed, as if she were coming out from beneath a fallout shelter. And I lift stiffly away from her as if to be boxed-up in the light of her window.

She puts me out into the street, my lips bitten fresh and sore.

Faces escape their hosts and the sun inters the streets, people shifting tensely in its beams. She put me out, refusing to let me wash with her. The sweat still upon me, grown clotted. My hair like a static refuse on my head, disarrayed crown for midnight heat, bodily force winging through tunnelesque time, chasing onto the point of light.

...

I end at the bank, speaking insatiable red at the confessional of the window. I was buying my ticket out of town. And that fulfilled, I took to turn the shoulders of everyone in the city, facing them all away from me that I might leave the gravity of their eyes. And I recalled her, the juxtaposition of bone filled with now.

I remember her falling over me; I remember my fingers secured in her hair.

I pull her toward me even now, dragging her nakedly on, as we recede from the jointed moment. The shafts of our mouth causing a common draw. It is not long til I can no longer feel her—to reinstate corpus given its shelter in the past, cannot congregate the thought and smell the sweat of her flesh again. And the night clamors, beating its sticks against the window; and I cannot close my eyes hard enough to bring a body forth.


- - -
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The Minivan

Contributor: jk lowell

- -
You laugh when you see dog mutilation
dogs set a flame whimpering, casting out its last dying breath
and it has a couple million views.
You wanna see a cock get cut off?
or in half?
read about crisis around the world after
seeing snuff and cat videos?
what You got ten minutes to kill and
a bit of an itch? how bout some octopus
porn to tickle Your fancy eight arms at a time?
what’ll it take You to read? Something of disgusting nature,
something’s gotta be at stake, right?
should we all shudder when the white teacher says Nigger
when reading Huck Fin?
what about cringe at the amount of twelve year olds
like cock sucking more than Your mother?
what at stake there, pride?
What’s at stake when the Lakers lose, You’re not
a shareholder or on the team.
If it ain’t about the money in your pocket then
why are You turning your head?
bend over and ill show You a shocker. how bout the
rocker and show stopper while I’m at it.
be a good soccer mom and get the minivan.
even then, that’s something You want to have.
its a common courtesy to give You a little fingering
id look like an asshole if i left You unsatisfied
if You’re not happy you can always shove this page
up Your ass, that’ll stimulate some senses.


- - -
Canadian poet studying avant-garde and American poetry at York University
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Obit

Contributor: Brett Milam

- -
"Shall I believe
That unsubstantial death is amorous,
And that the lean abhorred monster keeps
Thee here in dark to be his paramour?"
-William Shakespeare'


Somebody died. Don’t worry about it. A lot of people die, every day. From being fat fucks. Shot, stabbed, drowned, natural disasters, aborted, whatever.

This one was Eloisa. Brain aneurysm while she was taking her kid to a soccer match. Felt sick, drove him, and didn’t even make it out of the car. Hell, she didn’t even get the seatbelt off. At least, that’s what I heard some dudes saying by the willow tree, chain smoking.

Her obit said she was a “secretary to Jameson and Jameson’s Law Firm, mother of one, Elizabeth,” and other sappy shit some college intern wrote up with a hangover. I just took note of the address for the service, jotted it down in my notepad, and put on my slacks.

And here I am.

At a funeral, nobody asks who you are or your relation to the deceased. As long as you don’t smile too much, they think you’re a relative or friend or coworker. You don’t even have to dress formal. Throw on a pair of jeans and a Raiders hoodie and someone will think you’re just a poor schmuck, unable to afford the right attire.

The point is, fit in, don’t fit in, mingle, don’t mingle, it doesn’t matter; nobody questions you at a funeral.

Brain aneurysm meant open casket. It wasn’t like she was beaten to death or took a shotgun up the nose. This was good news for me. Jeremy’s last week was closed. Roller coaster accident. Only a few of those a year, so I guess he won death’s lottery. Jillian the week before that. Drunk driving, much more common.

Around noon, the eighty or so people that turned out filed into the church, Catholic stylized with an ornate, enormous steeple that stretched far into the purple hued sky; she must have been Catholic, or said she was. One of those churches that looked like it was carried over from an old town in Europe.

Lepers of society won’t get eighty people at their funeral. Snort a bit too much coke? You get a disappointed, weeping mother and a pastor going through the motions. Die from AIDs as a streetwalker? Fellow streetwalkers may come, may not, otherwise. Robbed a bank at 17 and die in prison at 30 from a shanking? Prison service, nobody cares.

Inside, people signed the guest book. I stuffed my hands in my coat and kept my head down. I mimicked the sniffles of the woman two ahead of me for an added touch. Then, I was the next in line, behind an elderly woman.

She turned to me and spoke with an Irish accent, “Beautiful, she was. Even as a kid, we knew she would be.” Her eyes fixated on her secretarial portrait, taken after she accepted the position. She was in a black blazer, brunette hair permed, and an Irish brooch on her left breast.

“I gave that to her. Long, long time ago,” the old Irish lady said, and she pressed a tissue to her eyes. I said nothing.

I took the gold pen and looked at her name, Eva. The letters were grand and elegant. I scribbled my name underneath, Reese, sloppy and disjointed.
Eloisa was gorgeous, if you’re into that business professional type.

The line waiting to pay their respects at the open casket curved around the inside of the church and spilled into the front lobby. I was just outside the large oak doors. I could already feel my dick tingling, as I gazed ahead at the cherry walnut casket. A funeral hand had done a good job waxing every inch of the surface; it glowed on this dim day.

Sniffles and coughs provided the ambiance. Men kept their hands deep in their pockets, heads down, shoulders around their crying spouse or girlfriend or sister or daughter. A small contingent off to the side stood out as the ones not afraid to laugh at a funeral. Perhaps they shared a funny anecdote about Eloisa. The funeral director stood off to the side, arms folded and he held a sincere smile – or at least, sincerity rewarded handsomely with old Irish money.

I throbbed harder and harder as we did the funeral march toward the casket. My chest had that fluttery feeling you get when you meet someone new. You’re clicking and talking fast because you’re afraid the moment will end. Or that it is all a mirage. I couldn’t take it.

There was a bathroom near the entrance I saw earlier. I pushed passed an obese man coming at with a walking cane, a heart attack obit to come. I went to the far stall. I fumbled and then latched the door with sweaty hands. I sat down on the toilet, pulled down my black slacks around my ankles and wrapped my hand around my throbbing penis.

Janice, from a few weeks ago, had looked like an angel on the plush velvet lining in her casket. If I hadn’t known she was dead, I would have thought she was sleeping. She was decorated in ruby red lipstick, gold chain around her neck and fake ruby fingernails. The fingernails did it for me.

They wanted you to get off to this, why else put a dead body through all the beautification? Someone worked damn hard to give Janice a shower, clean her hair, touch her skin, apply the lipstick, dress her…

I turned and climaxed into the toilet, used a wad of toilet paper to clean my hand and flushed.

Zipped slacks, shirt tucked and ready to go, I came back to the lobby. The throngs of grievers were gone. The doors were closed. The sincere smile funeral director stood in front of them.

“I thought there was, what happened, isn’t there an open casket?” I stammered.

He looked at my pale white, sweaty forehead and seemed alarmed, but only a second; the sincere smile returned.

“Yes, there was, sir, but it has concluded. The service has begun. Did you want to go in?” he said.

“No, I, no, thank you,” I said.

I turned and left through the church doors. Fuck. The best chance in weeks and I blew it, goddammit.

On the way home, I picked up a newspaper.


- - -
Brett Milam lives in nowhere Ohio, majoring in philosophy. He writes flash fiction, poetry and editorials. His dog, Dallas, helps him maintain his sanity.
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I Am Not An Animal

Contributor: Reese Scott

- -
He would sit in his room. He could hear his father watching Monday Night Football. He could hear his mom preparing dinner. He locked his bedroom door. Took out the magazines from his backpack and put them on his bed. Took off his pants and stood there staring at the magazines.
There was Playboy, Penthouse and some other ones he had read about that were supposed to be more exciting.

He touched his dick. Pulled it back and forth. Looking at the women. Their breasts. Their pussies. Some with dicks in there mouth, others having enormous penises inserted in places he would never have thought off.

He kept stroking his dick. Then he began to become hard. Then he could feel the excitement running through him. He felt like he was alone hiding a secret that only now he could release. When he finally came, he looked down at the magazines and began to cry.

All the women had turned to young men. In front of him. These magazines. Nothing but photographs on paper. Existed with or without him. He wasn’t crying because he came. He was crying because something was wrong.

Downstairs his father was shouting about the game. Screaming racist comments. He could hear his mother asking if he needed another beer.

He opened his bedroom door and walked down stairs.



When he was a few years into High School he began to notice changes. Mostly in his reactions. Even though he wasn’t popular, good looking or masculine, he was somehow good at sports. Particularly basketball. He was good at one thing. He could make almost all his jump shots. During practice was the first time it happened. He dribbled down the court and passed the ball. His pass was deflected and the other team got it back. He heard one of his teammates say, “Stop being such a faggot and drive to the hoop.”

Then it was like the sky changed color. But quicker than that. So quick it was almost like a blackout. All he knew was he saw red and he had the boy who said that on the ground. Throwing punch after punch into his face.

When he was pulled off there was shock. Did that guy just beat the fuck out of Jimmy. Jimmy is twice is size.

That was the first time. He looked everywhere for an explanation. He looked everywhere except for the place he didn’t know about. This began to happen more and more. It was happening on the play ground courts. But thankfully not enough for the other kids get his reaction to the word.

Senior year was the prom. The prom was something that scared him as much as anything else he could think of. There was no hiding there. Inside the prom the lights stared right at you and everyone could see who you are. Plus he had to find a date. There was one girl he had kissed a few years back. But he never spoke with her again. There was another girl he saw in the library who was always alone. He had never spoken to her. But he knew she didn’t have many friends. That night he sat in his room and looked through some books about how to get women by being yourself - a man. He read pages after page, but it only made him feel further and further away from where he was trying to go.

In the library the next day he watched her from a table across from her. His hands were shaking. He felt sick. He wanted to leave. But he knew he couldn’t. Finally he walked up and did his best to ask her out. She said yes. It was the happiest moment of his life.

The one thing he hadn’t really thought through was what people do at the prom. When he arrived he saw everyone was dancing. He had never thought of that part. He felt stunned. His hands began to shake and he could feel sweat running through his body. She walked up to him and asked him to dance. She was beautiful in the way one is not supposed to be beautiful. She felt lost to him. Something he could identify. He started projecting his problems onto her. When she took his hand to take him on the dance floor. He felt strange. Her hand felt warm, caring and beyond what he could have imagined.

When they got to the dance floor and she put her arms around him something changed. It was like God had sent down some kind of lightening and suddenly he felt sick. The touching and the nice feeling were now exchanged for guilt, hate and disgust. Not for her. But for himself. He felt like he was going to either pass out or start to cry. Neither one would be a normal reaction at a prom. He didn’t know what to do. Then like a child who is scared someone is under his bed, he puts his hands over his eyes hoping that it will be gone. And it was. Suddenly she was no longer there. He touched her hair but it was a different color. He touched her back but it felt smaller. He touched her face and it was younger. He closed his eyes. Trying to make it go away. He prayed to God to make it go away. “Please stop. Please. Let me be like everyone else. I don’t want to be special. Please.”

But he stood in the middle of the dance floor. Dancing with a young boy. All the disgust and hatred was mixed with someone he was unable to get rid of. The excitement he was supposed to feel with women. But for some reason he was feeling it with boys. For the first time in his life he felt like he might not have a choice. As they finished dancing and walked back to where they were sitting, he noticed some of the boys and girls looking at him and laughing. He smiled back. When he got back to his seat, he saw that he had an erection. He was only seventeen years old.


- - -
Reese Scott was born in New York. He currently living in San Francisco.
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Giddy

Contributor: jk lowell

- -
freely I walk in and out
glancing around to find your
blood soaked panties on the ground.
how inviting.
an utter easement washes.
but you don’t.
which I like.
the dirt sits patiently unmoved,
dust sprinkled across the ass of your
thong and I smile, hungry.
Is it the sharp blade silver edged
fork in my mouth or the fact
that its home is between your
legs opposed to my jaw?
I never wipe the crust off from my lips
when you finish why should I?
I have you to do it for me.
welcome me into the filth and dribble
because its where i can let my cock
out loose and not think twice.
or once.


- - -
Canadian poet studying avant-garde and American poetry at York University.
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MAX TERROR AT NOON!

Contributor: David Altman

- -
The Shitasm Diaries Entry #1

Shitasm and the gang were making friends down by the shore. Making friends meant making amends: bended knee, bowed head, that sort of thing. "Sorrys" were offered and some "Never agains" and with clasped hands there were mentions of "forever and ever" and vague assurances of joyous future plans.

Shitasm turned to FaFuckle and smiled, and wished, and laughed, because he got his wish, which was this:

"Destroy my enemies and make me a god. Destroy my friends and make me Eternity. It's not endless power I want - It's relative success I seek."

FaFuckle crumpled to his knees as tendons and ligaments turned to powder. Then the knees went - bones and muscle giving way to a hideous pool of nothing on the ground, or sort of nothing in the sense that it was anything but: offal, gutsies, boney shards, all swilling together in a hearty gore stew and draining down the slight slope of the shore as azure waves lapped or something, smoothing out the goosh into a less offensive but still gross mélange. Ottobutts, in the midst of eyebrow raising and hand waggling, took note of the mess, bending over to get a good whiff of the remains. The idea spread quick like, and old ‘Butts let out a scream of horror right before his eyes deflated to vitreous muck and his heart exploded. His skin turned light and creamy as it dissolved, and Shitasm swooped in to run a finger along his forearm, wicking away the fleshy flesh for a curious taste. (And yes, ‘twas of vanilla.) Dicks and Damnsa were chatting and then Dicks was dying - assumedly - as his ribs flim-flammed outward and the appropriate amount of mutilation that would accompany that happened. In response, Damnsa, as always, made a spectacle of things, dancing and dancing when her clothes suddenly went alight in bright blue flame. She was crying or giggling, it was hard to tell. Until, of course, she was ashes, and then her silence was easy to discern.

It kept going, you know, the wish. Spitzer, Bamfart, Hellsinki, Asstolio, Peetur, Cuntle, S’biles... they all passed, generally in manners graphic, or stupid, or pointless.

And Shitasm watched it all, sort of fascinated, but sort of bored.
"I sort of wish I had wished for something else," he muttered.

Well, it's maybe too late for that, but I'll tell you what I can offer:
This airplane full of cash, an evening with ten hot celebrities, and this talking baby gorilla.

"I'll take it!" Shitasm hooted, skipping over an unidentifiable carcass.
"Fuck this friendship shit," he was heard to declare, "Wishes are where it's at!"

And as he rode his mechanical horse - also part of the gift package - into the alien sunset, we would all do well to remember:
The narrator grants all gifts.
All you have to do is ask.


- - -
DAVID ALTMAN has lived in many basements in Queens for a good chunk of his life and keeps seeking different ways to rewrite Catch-22 as filtered through a childhood of Ren and Stimpy and Turtles cartoons. He spent several years in retail management - which did nothing to dispel his cynicism - and now several years in IT QA - which has done nothing to make him move into non-basements. He has never won any writing awards or been published but remains in good spirits / drunk.
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Clever Idris

Contributor: Paul Tristram

- -
I was walking down by a stream today (Look it doesn’t fucking matter which stream it was, it was just a stream, alright!) When I decided to take myself a well earned rest upon a vacant wooden bench (Look it doesn’t fucking matter which side of the stream the vacant wooden bench was on, it was just a vacant wooden bench, alright!)
So I sat there for awhile, just carelessly wishing that I had a hammer and a few dozen nails with me because I’ve given up smoking for eight days and every time that I stop still for more than a second my hands become possessed by something, I am serious they start break dancing and signalling to nothing and nobody, they start chopping invisible paper right there before my eyes, not in an exact straight line, in more of a slope?
So the hammer and nails were for me to nail my bastard hands down each side of me, into the wooden bench (Look it doesn’t matter what I would have used to nail the second hand down after the first was securely in place because I would have improvised, used my head or something.
When I noticed a couple sitting down on the bank with their bare feet dangling into the cold, refreshing stream.
The boy turned to the girl and excitedly said, “Look there in the water, it’s something alive and swimming!”
“Where by exactly and what on earth is it?” replied the girl.
“It’s some kind of small fish; it’s a bit like a goldfish, only it’s not gold, it’s thinner and longer and it’s free or something!” replied the boy knowingly.
“My, you are clever!” replied the girl proudly.
“Do you know what Idris? You could be on one of them nature programmes that they have on TV, if you really wanted
to, you know the ones that go and talk about whales and things like that, really close up like, coz I bet you know what a whale is, don’t you Idris?”
“Oh that’s easy!” replied Idris.
“Fucking piece of piss, they’re big fucking things, a bit like a goldfish only bigger and they’re not gold and they eat boats and shit!” replied Idris, still knowingly.
The girl leaned in close and kissed him and then said.
“You are clever Idris, but I do wish you wouldn’t swear like that, especially in public, there’s someone sitting behind us on that wooden bench!”
“Oh, don’t worry about him Samantha!” replied Idris.
“Look he’s not taking a blind bit of notice of us, he’s too busy beating his right hand up with that fence post!”
“Oh yes!” exclaimed Samantha with a sudden distaste in her mouth. (Apparently Idris was having a little trouble with wind)
“Let’s ignore him and try and find that fish again!”
“Ah, there it is!” yelled Idris excitedly, making sure to keep his arse down wind.
“Shall I leap in, you know, just like Tarzan would and wrestle the savage motherfucker up onto the bank?” asked Idris eagerly, he was so eager that he was now half erect.
“No you silly fool, what the hell would you want to do that for?” scowled Samantha.
“Savage motherfucker indeed, the thing’s barely bigger than my thumb, and sit yourself down, for Christ sake, you’re making a spectacle of yourself, you’re all sticking out in the front, oh my God, are you like that over that fish? oh my God, I don’t know what I’m going to do with you, what with the stench coming from your behind aswell!”
“I’m sorry but I can’t help it, I just get carried away sometimes!”
said Idris with a frown, his shorts now back to their normal shape.
And that is how I left them, as I walked off towards home, after still not having smoked, drank or taken any drugs in eight days.


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Paul Tristram is a Welsh writer who has poems, short stories and sketches published in many publications around the world, he yearns to tattoo porcelain bridesmaids instead of digging empty graves for innocence at midnight, this too may pass, yet.
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Pussycat Danger Academy!, A Review

Contributor: Eric Hawthorn

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Nowhere in the world is our beloved art form more prevalent, or more vibrant, than in the great nation of Japan. Westerners take note: the Japanese are true innovators. Their particular advantage lies in the widespread use of animation, a medium whose exemption from the laws of reality remains less explored in the West. In “hentai”—that distinctly Japanese form of animation—we have the extreme close-up, the x-ray shot, forays into anthropomorphism and magical realism. And then there’s the archetypal Hentai Girl: neon hair, saucer eyes, dancing irises reflecting a minimum of three major light sources at any time. The Hentai Girl always possesses a near-metallic radiance (a shininess unmatched by the male characters, light reflection being a gender thing).

Continuing this noble Japanese tradition, Pussycat Danger Academy! is finally available in the States thanks to Red Cell Media. (I must also thank faithful B.R.D. contributor Aphrodite’s Mistress for providing an image of the film’s cover. She is a valued member of our community, despite her often-belligerent feminism.) Pussycat Danger Academy! is the latest from director T.A. Katarya of Mushroom Panic! fame. It takes place in Sensei Sumakura’s Academy for Girls, an elite boarding school that bears a striking resemblance to the private academy in Katarya’s classic Midnight Protrusion Party! The academy features a secret, torch-lit dungeon, which serves as a meeting place for the Council of Nine, a group of cloaked figures with nefarious intentions. It should be no surprise to hentai aficionados that this Academy for Girls, a campus of whites and pastels, has a murky dungeon. Every girls’ academy requires a dungeon for its more ominous proceedings.

The movie’s heroine, Miku-chan, is a neon-haired schoolgirl sporting a miniskirt, knee socks, and matching vest, which is the standard attire for a Hentai Girl. (Even Miku-chan’s teacher sports this schoolgirl attire, but with glasses and a peremptory hairdo to indicate her status as Sensei). We’re introduced to Miku-chan by the Council of Nine, which discusses her “very super abilities and power [sic],” as well as the “much wonderful evils and powerful ability [sic]” they will derive from her. The Council of Nine views their subject via a camera hidden in her dorm room, which the C of 9 calls “her academy girls domicile of residents and living [sic sic sic sic sic].”

Cut to the Academy Girls Domicile Of Residents And Living. Miku-chan—unaware of her surveillance, of course—is experimenting with her new Osaku Fun Toy! The device features the image of “Goodnight Kitty,” Katarya’s rendition of a certain cultural icon. Predictably, the Osaku Fun Toy! goes berserk, effecting a whirlwind of strewn debris and cartoon flailing, after which Miku-chan discovers her Osaku Fun Toy! is stuck. Upset, she cries approximately 80 gallons of geyser-like tears, flooding the room. (The Osaku Fun Toy! problem is never actually resolved; presumably, it remains intractably stuck for the rest of the film. This doesn’t seem to present an issue.) Her dorm room, accustomed to such torrential grief, quickly drains.

Like most hentai directors, Katarya has a casual approach to plausibility. Explanations or justifications would only taint his work with reality, so no rationale is provided for how Miku-chan generates so many tears, nor why her roommate, Neko-san, is dressed like a cat (and uses very cat-like motions, and purrs). Presumably, a girls’ academy would not require students to don animal costumes. But the catgirl is essential to this genre and beyond the need for explanation (variations of this leitmotif include the dogboy and bunnygirl). Nor do we require an explanation for Neko-san’s tragicomic final scene, in which she is accosted by the Council of Nine’s “Death Minions Of Other Dimension [sic].” The Death Minions Of Other Dimension are a mob of giant, aggressive cephalopods. They attack Neko-san in a prolonged and cephalopodous way, then throw her down a ventilation duct. When Neko-san emerges, we see that she has transformed into a butterfly.

Not a cat, per her costume, but a butterfly. In part, this is likely the error of an underpaid Korean storyboard artist, but the compounded absurdity matters little to an experienced hentai viewer. The world of Pussycat Danger Academy!, and hentai in general, is altogether separate from the reality we know. I was pondering this fact during a classroom scene, in which Sensei Akari—whose glasses and peremptory haircut identify her as a teacher—drops her ruler. Sensei Akari must bend over—way, way over—to pick it up. This takes about ten minutes.

To imply that the hentai universe reflects our reality would suggest that its art and adventures symbolize true-life conditions. But in Pussycat Danger Academy!, a teacher is denoted by glasses and a peremptory haircut simply because all teachers in this genre are denoted by glasses and a peremptory haircut, just as all Death Minions Of Other Dimension are denoted by cephalopodous tentacles. These are strictly genre conventions, their deeper symbolism irrelevant. As Baudrillard explained, symbols derive their meaning through their relationships to other symbols (Simulacra and Simulations, 1992). As such, the Japanese use details such as shininess and neon hair and knee socks—through symbolic association—to indicate the Feminine, just as they use tentacles and murky dungeons to symbolize the Villainous.

Consider the Blush. When a hentai girl blushes (and they all blush, being very bashful creatures) it is easy to suppose such a blush emblematic of shame or discomfort, but this seemingly universal Sign Of Not Having Fun has taken on a different significance here. The Blush has undergone a Baudrillardian detachment from its original meaning. Now, by genre consensus, characters Having Fun (and we must assume they are) nonetheless exhibit the red-cheeked Sign Of Not Having Fun. Thus, when Miku-chan or Neko-san blushes, while assailed by tentacled Death Minions, we the audience must assume she is Having Fun.

By the time I reached this insight, Sensei Akari, still in her classroom, had almost finished retrieving her dropped ruler. She was also beginning to blush.

Pussycat Danger Academy!, and hentai in general, are extremely effective means of detachment. This art form features so many permutations, so many departures from the reality we know, the viewer undergoes a sort of out-of-body experience. To emerge from such a state is quite jarring. As usual, when I finished watching this film, my back was sore, my legs stiff. Squeaky Japanese voices echoed on. I ran my finger over the wood grain of my desk, rearranged the box of tissues, and tried to peer out the fogged windows. It took a while for my eyes to readjust to the dullness of everyday color.

Fortunately, there were other films to review. (Four stars)


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Eric Hawthorn thinks Razor Dildo is a killer name for a lit journal. His piece, "Pussycat Danger Academy!," is an excerpt from The Backroom Diaspora, an experimental novella about friendship and porn. It's available for free at thebackroomdiaspora.blogspot.com
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